RHETORICAL QUESTION. But as a loyal reader, you totally want to know all about my picks from the Baltimore Symphony Orchestra’s upcoming season, right? Especially since I, personally, found that you have to wade through an unexciting beginning. Don’t be put off – there’s a gold streak running all the way from January to June!
- Alexander Nevsky (January 11 – 13) – Um, full Prokofiev score live, set to the film? Yes please.
- Hairspray (January 24 – 27) GOOD MORNING BALTIMORE! A concert opera version narrated by – wait for it – none other than John Waters himself.
- Pictures at an Exhibition (January 31 – February 2) – I said PICTURES AT AN EXHIBITION. Why aren’t you buying your tickets right now?
- Mozart’s Requiem (February 28; March 2 & 3) – Everyone knows I’m not Mozart’s greatest fan, but no one can deny theRequiem.
- Mahler’s Titan (March 7 – 9) – Oh, Mahler, I love your “Titan” so. Nothing can take that away from us.
- Saint-Saen’s Thundering Organ Symphony (March 14 & 17) – A friend recently informed me that this was the theme from Babe. My understanding of pop culture is weak; my love for this piece is strong.
- Wagner: A Composer Fit for a King (April 19 & 20) – Neuschwannstein! Mad King Ludwig! Obsession! Insanity! Fun!
- Time for Three (May 2 & 4) – I saw them premiere Jennifer Higdon’s Concerto Four-Three, and it was awesome. Let’s do it again.
- Romeo and Juliet (May 23 – 25) – PROKOFIEV version. Tchaikovsky, Berlioz, I’m terribly sorry, but you’re going to have to clear out.
- West Side Story (June 13 – 16) – Um, full Bernstein score live, set to the film? Yes please.
So those are my picks. Check out the concert calendar – anything striking your fancy?
Pingback: I just want you to be prepared « If it ain't Baroque… - August 29, 2012