If you’d like your concert included in next week’s roundup, leave a comment or drop me a line.
Hi guys! I’m back! And speaking of back, here’s two ways we’re going back in time today:
1. Two weeks ago I saw The Mikado at Wolf Trap and it was pretty awesome. I LOVE Gilbert and Sullivan.
2. So here’s one of my favorite songs from my second favorite G&S operetta, as performed at the Stratford Festival in 1982. If you were alive in 1982*, please try not to bump into your old self while you’re there – I hear it causes all kinds of fuzziness in the space-time continuum.
* I wasn’t!
So… you guys really like Hindemith, eh? I mean, Webern was fresh off a solid victory. He had tasted blood once before. And yet Hindemith cheerfully trounced him. Very, very interesting, you guys. I shall note it in the logs.
Now let’s head back to the homeland with an All-American match, because in this corner, he never gave Reich a chance! It’s
JOOOOOOOOOOOOOOOOOOOOOOOOOOOOOHN CAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAGE
And in this corner, he made Jerry Goldsmith phone home! It’s
JOOOOOOOOOOOOOOOHN WILLLLLLLLLLLLLLLLLLLLLLLLLLIIIIIIIIIIIIIIAAAAAAAAAAAAAAAAAAMS
Oh my God, guys, it’s a John Fight! I didn’t even consciously plan that!
Roundabout origin story for this post: I wanted to find something about the great Jimmy Stewart’s taste in classical music, because happy birthday, Jimmy Stewart! But I couldn’t. What I DID find was a clip of Mickey Rooney and Judy Garland explaining, among other things, that you may like opera or you may like swing but you may NOT LIKE BOTH. As far as I know it’s not either of their birthdays but it will have to do. Hit it, kids!
Good Morning – Stereo – Opera vs. Jazz – Where or When – Judy Garland and Mickey Rooney from Great Movies on Vimeo.
If you’d like your concert included in next week’s roundup, leave a comment or drop me a line.
If you’d like your concert included in next week’s roundup, leave a comment or drop me a line.
A light load, what with Easter and all.
If you’d like your concert included in next week’s roundup, leave a comment or drop me a line.
My grandmother doesn’t see very well, and as such one of her favorite pastimes when we’re together is to request that I look things up one my iPhone. During my visits we’ll watch old movies, and she’ll say “Look up when this person died” or “I wonder if he was ever in anything else; look that up.” So I fire up the browser app, head over to Wikipedia, and find out.
Our most recent sojourn was through The Sound of Music, and as the first nuns appeared I remembered that Marni Nixon got some actual screen time in the film, as Sister Sophia. You know about Marni Nixon, right? She was the ghost singer to the stars, working for Audrey Hepburn, Deborah Kerr, Natalie Wood, and Marilyn Monroe, among others.
Curious about her current whereabouts I looked her up of my own accord, and was fascinated to discover that she recorded vocals for such great composers as Schoenberg, Webern, Copland, and Bernstein. I had no idea! Unfortunately I couldn’t seem to locate any real footage of these performances, but I did find this fascinating interview, wherein she talks about how she just dubbed as a means of paying for her singing classes, and more. Find out what it was like for classically trained singer back in the day, where if they found it you dubbed, you were finished!
It’s baaaaaaack! Yes, my friends, it’s time for another round of Composer Cagematch!, that spectacular series of cutthroat fights between composers that asks not the question, who is a better composer? but rather, who do you LOVE?
That’s right – throw out all your notions of musicology based merit and vote based on your heart, because the winner is not musicology’s champion – he is the people’s champion!
So where are we starting on this spectacular journey? Well, we were going to start with Schubert, but I still haven’t figured out who’s strong enough to take on Schubert, and I really don’t want to repeat composers, so… we’re starting with two of history’s most successful film composers, folks! And as such –
In this corner, entering the ring with in an imperial march, it’s
JOHHHHHHHHHHHHHHN WIIIIIIIIIIIILLIIIIIIAAAAAAAAAAAAAAAMS
And in this corner, he brings honor to us all! It’s
JEEEEEEEEERRYYYYYYY GOOOOOOOOOLDSMIIIIIIIIIIIIIIIIIIIIIITH
Hey, I know I complain about Williams a lot, but I’ve always liked his Jurassic Park score, and then yesterday I watched Memoirs of a Geisha and found the theme beautiful and looked up the composer and said “Oh.” So you can vote for him; I won’t judge. And Jerry Goldsmith? The Voyager theme? Mulan? The Omen? The Mummy? I mean, this is hard.
But you still have to make your choice.