Hi guys! So, I’m afraid I’m going to have to make a tweak to my contest from Tuesday (check it out here). Turns out that a lot of you are subscribing via the RSS feed, and I’m having trouble getting access to the list. Therefore, I’m going to have to make this change, which I’m going to render in large type so that you don’t miss it:
Because of this issue, I’m extending the double-entry option to tomorrow, Friday, at midnight. Subscribe and post before then and you’ll be entered twice! After that, you’ll be entered once, but regardless, you MUST comment on either this post or Tuesday’s contest post. I know I’m getting redundant, but I just want everyone to be absolutely clear. Remember, the contest closes on June
21 EXTENDED! JUNE 24 at midnight, so subscribe and comment before then to enter to win an adorable prize!
Sorry about that list minute addition, guys! But you’re all subscribers, so I’m sure you’ll see this. 😉
Don’t know what I’m talking about? Check out the contest here.
It’s about time we had a contest around these parts, don’t you think?
A few weeks ago I noticed that I was nearing 100 blog followers; I originally conceived this as a push to make that number. But, uh, I already got to 101. So we’re going to do things just a bit differently.
But first! What exquisite prize is up for grabs? Oh, just an ORIGINAL, SIGNED ARTWORK:
This is not a print. This is a hand-drawn, hand-painted piece entitled – wait for it – Eroicat! Why wander around merely saying you love Beethoven when this beautiful, clever bit of art can do it for you? (Yes, that’s a real snippet of Eroica up top.) Suitable for framing, it would look smashing in your music room or studio.
Bone up on your Symphony No. 3, then lean in, because I’m going to tell you how you can lay claim to
the crown this amazing painting:
Okay, that’s not QUITE everything. Here are some additional notes:
Got it? Okay! Don’t have it? Feel free to ask me questions! Contest is open to everyone, everywhere, but any winner outside of the continental U.S. may be asked to pay their own shipping (sorry, guys, but that sucker’s a bit pricey). There’s no age minimum – or maximum, for that matter – but if you’re under 18 make sure you check with your parents that it’s okay to enter and such. All usual additional contest rules apply.
Incidentally, if you’re in love with that kitty image (and why wouldn’t you be?), the artist does sell additional works, both pre-made and commissioned. Check out her tumblr for more info. You can also contact her via email here.
Yet another week passes with no concert in sight, not even a smattering at Strathmore. Truly dead space, my friends. But take heart – even now a few brave souls reach their hands out across the void to offer you musical stuff.
Last week I asked you to submit nominations for a Medal of Violar recipient. This week I award two — one reader-nominated and one me-nominated. Because I can.
The reader-nominated winner is Daniel’s cat Gir, because when I suggested you nominated your pets I was mostly joking and he went there anyway. Well done, sir, well done. Says Daniel: “My cat, Gir, likes to sing along with Amanda and myself when certain songs are playing. For example, we can be playing Rockband 3 and she’ll walk onto our laps and meow and paw us in the face.” Congratulations, Gir! Maybe Daniel will engrave you a new tag to commemorate the occasion.
The me-nominated winner is Mr. Stephen P. Brown, conductor extraordinaire who can always be counted on to chime in on discussion posts with a well-thought-out reply. He last popped up responding to my post about my dislike of children’s classical music programming, but he has made many excellent comments. Thanks for your readership and replies, Mr. Brown (Can Moo. Can You? Sorry, I couldn’t help myself)!
Congratulations! Of sorts! Your names will be added to the wall later today. Thanks to all my readership — keep reading, submitting, and commenting, and you, too, may one day be the
ashamed proud recipient of a Medal of Violar. And then you can buy yourself a mug! I like to encourage people to dream big, y’know.
I said there was no BSO concert this week. I didn’t say there was no BSO-related news.
The BSO Announces Fourth Annual “O, Say Can You Sing?” Competition
Winner to perform national anthem with BSO at Oregon Ridge
“O, Say Can You Sing” the national anthem with the Baltimore Symphony Orchestra? Capitalizing on American Idol’s appeal among local tweens and teens, the BSO announces its fourth annual singing competition, “O, Say Can You Sing?” Contestants will vie for the chance to sing the national anthem alongside the BSO in front of thousands at the BSO’s annual Star-Spangled Spectacular concerts held at Baltimore County’s Oregon Ridge Park, July 2-3.
The competition is open to singers age 8 to 18. Sarah Jacobs from the 106.5 FM JoJo, Reagan and the Mix Morning Show will serve as celebrity judge alongside BSO staff members and local singing experts. Auditions will take place by appointment only on Thursday, June 2 from 3 p.m. to 6 p.m. at the Joseph Meyerhoff Symphony Hall.
Each year, more than 60 contestants audition for the chance to sing the national anthem alongside the BSO. Last year, Baltimore School for the Arts student Scott AuCoin and former Miss Maryland Outstanding Teen Stephanie Meadowcroft snagged the coveted positions. These gifted youngsters not only performed with the BSO, but were also featured on several local TV and radio programs.
PLEASE NOTE: Audition times will be assigned on a “first come, first served” basis, by appointment only and parental permission (signed waiver form) will be required for all contestants under the age of 18. Contestants must be able to sing the “Star-Spangled Banner” in the key of B-flat major (F is starting note) or A-flat major (E-flat is starting note) along with an accompanist provided by the BSO. All entrants must be available for performances on both July 2 and 3, 2011. Registration deadline is 11:59 p.m. on Monday, May 30.
I encourage all you student-types to go out for this. Heck, put your kid in there — no worries if he can’t sing; humiliation builds character, right? And if you do audition/have your kid/niece/cousin/whatever audition let me know! I want to a) get an interview and b) know who to root for.
Oh, and regarding the Medial of Violar contest from yesterday, you have until Monday, April 25 to get your entries in.
Until I helped put together the 2010-2011 BSO season web presence last year, I had no idea!
Turns out Charlie Chaplin wrote, directed, starred in, and scored his 1925 film The Gold Rush. Well, the BSO is playing that music, and while they do that, they’re going to show the whole darn movie. Apparently it contains the famous “dance of the dinner rolls.” So I guess Beauty and the Beast didn’t do it first after all.
See it Friday, April 15 at 8 pm at Strathmore, or Saturday, April 16 at 8 pm and Sunday, April 17 at 3 pm at the Meyerhoff. Or if you’d like to get in free and can work REALLY FAST because unfortunately I suck and forgot to put this up earlier:
Win Tickets to The Gold Rush!
Create your own silent film to win tickets to Charlie Chaplin’s The Gold Rush! Get your inspiration from the master himself for your own silent film scene at http://www.charliechaplin.com/. Submitted film shorts can re-create famous moments in Chaplin’s beloved movie, or you can channel your inner-screenwriter and create something entirely new! All films must be under 1:30 and posted to facebook.com/BSOmusic by 5:00 p.m. on Wednesday, April 13th. The top 10 will receive a pair of tickets—simple as that! One lucky winner may even get the chance to have her or his film short viewed before the concert! (Please note: The BSO reserves the right not to choose any videos for pre-concert display.)
Fire up the webcam and get cracking!
I know you all love an eclectic collection of unrelated bullet points.
– I think, based on the fact that a lot of the profile photos show people with instruments, that some of you are friending me on Facebook. Which is totally cool and I’m down with being your internet buddy, except if I don’t know who you are or why you’re friending me I am generally disinclined to accept. In short, if you friend me, or you did friend me and I never reciprocated, send me a message explaining that you’re a fan of Ain’t Baroque and we shall carry on in peace and love.
– You can still win a Symphonic Voyage cruise if you purchase a BSO subscription package!
– The consensus among my friends is that if The Golden Girls was recast with composers, Bach would have to be Sophia. I don’t know, we’re weird. We also need help with the rest of the cast, if you have any ideas. I’d love to do a whole post on this; it’s the sort of thing I’d do, but I worry my long-suffering audience would finally rebel.
– There is a fire drill exclusive to the summer camps that have moved into Strathmore going on right now (have I mentioned the summer camps? I have been inundated by an unusually large number of children and I disapprove of children in groups as they revert to their baser instincts in the herd). No one else is required to evacuate, but I’ve spent the last five minutes listening to a recorded message requesting me attention about a fire emergency on repeat. I am dangerously close to spontaneous combustion. Talk about your self-fulfilling prophecies. Anyway, did anyone go to a music/arts summer camp as a kid? What say you of the experience?
I told you I’d get to it.
The Well Played! Ain’t Baroque Medal of Violar is a dubious honor. I mean it’s an honor I just made up. I mean it’s an honor! No need to qualify that. You can only get it by performing above and beyond the call of duty in the form of regular commentary and contribution and general awesomeness. Learn more and read the current list of honorees here.
There are occasionally shortcuts, however. For example, you have until 9 am EST tomorrow (Wednesday) to enter the “define music major” contest. The author of the most clever excerpt automatically makes it onto the list. Think of prestige!
Duly intrigued? Click here!
Here are some things I think are nifty.
Something is causing Americans to chant “air ball” in F. But what? I believe that the most logical explanation – you probably thought of this – is: extraterrestrials. As you know if you watch the TV series The X Files, when anything weird happens, extraterrestrials are almost always responsible. In this case, beings from another galaxy are probably trying to communicate with us by transmitting powerful radio beams that penetrate basketball fans’ brains and cause them to “spontaneously” chant in the key of F. I imagine that eventually the aliens will switch the fans to another key, such as A, and then maybe C, and so on until the aliens have musically spelled out some intergalactic message to humanity, such as “face a dead cabbage.”
Read the whole article here and rejoice.
Q. What’s better than roses on your piano?
Important! I’m extending the raffle deadline to Tuesday (tomorrow) at noon with recipients to be informed of their luck by 4 pm. I want to make sure everyone who filled out the survey gets the chance, so make sure you send me an email with the subject “Circus Maximus” and your name to firstname.lastname@example.org. Each winner will get 2 tickets to the March 18 Strathmore performance. Enter now!
This week’s concert is, as I already mentioned, entitled “Circus Maximus,” with performances at Strathmore on March 18 and at the Meyerhoff on March 19, 20, and 21. It includes Prokofiev’s Peter and the Wolf (see the below post) with narration by Scott Simon of NPR or, on the 21st, Rheda Becker.
There are two other pieces on the bill, both somewhat obscure, at least from where I’m standing. There are no program notes, so I’m not sure what to tell you about David Little’s Screamer (where is your Wikipedia page, sir?), except that the brochure describes it as “[imagining] a circus very nearly out of control.”
I would be just as clueless on John Corigliano‘s Circus Maximus if not for the helpful words of one of my Twitter followers: “It was more ‘event’ than music I would listen to over and over. Much like sports, better live than ‘on TV.'” Well, you heard the man. Better live than on TV. So you should buy tickets, and/or enter the raffle.
He was also kind enough to send me this link to an article from a music publisher wherein Corigliano himself describes the piece and his impetus and thought process. Don’t miss the illumination. Thanks very much, Mr. Carney Dr. Carney! (Er, not Jonathan Carney. I thought I should clear that one up proactively.)