Part 1 here. Part 2 here. Okay, hit it, Clift!
There you go. Feel free to tell Clift how much you love him in the comments.
- Hey, remember that bit in Amadeus where Salieri pretends to be Mozart’s dead father and Wolfie freaks the hell out and composes a requiem and then dies? The Baltimore Symphony Orchestra does! So they’re playing Mozart‘s Requiem, which even I, an inveterate Mozart skeptic, admit is pretty darn good. The Baltimore Choral Arts Society helps out with the singing; Part‘s Tabula Rasa rounds out the program. February 28 at Strathmore; March 2 & 3 at the Meyerhoff. It looks like they might also be doing some version of it at the Weinberg Center in Frederick on March 1. [ See it! ] [ See it in Frederick! ]
- Or! If you tend to feel jazzy in the morning, the BSO is offering a matinee performance on March 2 centered around the African American influence on music. Specifically mentioned: Duke Ellington, Gershwin‘s Rhapsody in Blue, and a tap master. [ See it! ]
- This week the National Symphony Orchestra gets glacial, chills out, cools it, and other puns about cold with an all-Nordic program, featuring Sibelius, Lindberg, and Saariaho. Even the solo violinist is Nordic – the awesomely named Pekka Kuusisto. February 28 – March 2. [ See it! ]
- This week at Strathmore: Violinist Jennifer Koh explores the farther reaches of Bach, Parisian jazz, a snazzy marching band. [ See the calendar! ]
If you’d like your concert included in next week’s roundup, leave a comment or drop me a line.
Last week I had this awesome idea for today’s video, which of course means now I forget what it was. So in the meantime, here’s one of my favorite scenes from Amadeus. I mean, besides the bit where Mozart kicks the bucket.