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ain't baroque! :||
Don't Fix It

Would you please for God’s sake hold still?!

Have I mentioned this before? I can’t remember. Anyway, in high school I had a violin teacher who gave me a big ol’ lecture about how I was far too staid in my performing style. He wanted drama! He wanted me to stamp my foot and toss my head and wave my violin around in the air. None of this was remotely within my personality, but he insisted it was vital to giving a good performance, not only to engage to the listener’s visual senses, but also to enhance my own visceral feel for the music.

I can only assume that this particular speech is popular among music teachers, because I see so many performers positively flailing on stage, or engaging in completely unnecessary histrionics. I once saw a pianist who began every piece by lifting her shoulders, throwing back her head, taking what was clearly a VERY VERY DEEP BREATH, raising her hands hiiiiiiiiiiigh over the keyboard, AAAAAAAND… hunching over the piano as she began to play. By the beginning of the third piece I wanted to put her in a straitjacket.

At least she was a soloist. I find it particularly distressing when members of an orchestra wave their arms around like they’re seizing. I once pissed off Hannu Lintu by expressing my displeasure with his particularly physical conducting style. I realize the conductor heads the orchestra, but that doesn’t mean he should distract from it. And oh Lord, does the principle violinist of the Baltimore Symphony Orchestra drive me nuts sometimes. He, too, is of the sway-and-swoon school of music performance, and I DO NOT LIKE IT.

Okay, sometimes I DO like it. I adore Nadja Salerno-Sonnenberg largely because of her stomps and forceful pulls of the bow across the strings, in a fight she’s winning. But here, I think, is the difference: her antics have always struck me as an expression of fun. She is enjoying herself up there. By contrast, the vast majority of the theatrics I’ve witnessed seem to communicate little more than what a seeeeeerious undertaking the musician has taken on. Oh, music is SO HARD and I must THROW MYSELF INTO IT because I just feel so much DRAMA. My soul is in PAIN, damn it, PAIN, and I want you to know!

Oh, shut it. You love what you do. If you’re dealing with a particularly twiddly bit, a frown of concentration will do it, thanks. This is not about you. This is about the music. And if it’s causing you such emotional angst, maybe you should see a therapist.

So, whaddya think? Do you agree that musicians tend to heavily toward theatrics when they play? Or am I totally off base here? Certainly there are exceptions to every rule – tell me about them!

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About Jenn

Despite being the former digital marketing intern at the Baltimore Symphony Orchestra, Jenn German does not like Mozart. Beethoven could've totally beaten him up. Also she has an arts management graduate degree from American University, but this changes nothing.

Discussion

2 thoughts on “Would you please for God’s sake hold still?!

  1. Well, I’m new to all this concert-going business and I have had much fun and repressed laughter at some of the antics – always good if the music isn’t grabbing me so much! I have had to restrain myself from yelling at a violin soloist of international renown to sort out her posture, and a particular concert where the music wasn’t doing it for me was made magical by the frenetic moves of the chubby but twinkle-toed conductor. 🙂

    Posted by FictionFan | April 17, 2013, 11:44 am
    • So I should amend it to: “Would you please for God’s sake hold still unless your music is terrible in which case wiggle around because then at least I’ll be entertained?” 😉

      I would LOVE it if you yelled about posture! 1) Correct! 2) Heeeee, someone yelled at the soloist… heee.

      Posted by Jenn | April 17, 2013, 11:47 am

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