ain't baroque! :||
Don't Fix It

Composer Cagematch!: Williams vs. Goldsmith

It’s baaaaaaack! Yes, my friends, it’s time for another round of Composer Cagematch!, that spectacular series of cutthroat fights between composers that asks not the question, who is a better composer? but rather, who do you LOVE?

That’s right – throw out all your notions of musicology based merit and vote based on your heart, because the winner is not musicology’s champion – he is the people’s champion!

So where are we starting on this spectacular journey? Well, we were going to start with Schubert, but I still haven’t figured out who’s strong enough to take on Schubert, and I really don’t want to repeat composers, so… we’re starting with two of history’s most successful film composers, folks! And as such –

In this corner, entering the ring with in an imperial march, it’s



And in this corner, he brings honor to us all! It’s



Hey, I know I complain about Williams a lot, but I’ve always liked his Jurassic Park score, and then yesterday I watched Memoirs of a Geisha and found the theme beautiful and looked up the composer and said “Oh.” So you can vote for him; I won’t judge. And Jerry Goldsmith? The Voyager theme? Mulan? The Omen? The Mummy? I mean, this is hard.

But you still have to make your choice.


About Jenn

Despite being the former digital marketing intern at the Baltimore Symphony Orchestra, Jenn German does not like Mozart. Beethoven could've totally beaten him up. Also she has an arts management graduate degree from American University, but this changes nothing.

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