Q. Why did the first chair violist get mad at the second chair cellist?
A. The cellist turned one of his viola’s tuning pegs, but he wouldn’t say which one.
Q. Why did the first chair violist get mad at the second chair cellist?
A. The cellist turned one of his viola’s tuning pegs, but he wouldn’t say which one.
Discussion
Trackbacks/Pingbacks
Pingback: Tweets that mention With this kind of proximity, fights must break out « If it ain't Baroque… -- Topsy.com - February 10, 2011